Monday, July 4, 2011

June Callwood vs Belinda Stranach, 2007

Originally an Eye Weekly editorial, 2007.

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That's Enough, Belinda.

As we see the cheap tactics of Stronach hog the spotlight in what we hope is her political curtain call, we can’t help but consider other women that are more worthy; both of our attention and of the feminist moniker.   This week, we’re in need of a better example, and preferably one without the advantage of the silver spoon.

Enter: The Honourable June Callwood (1924-2007)

As she stated this past March in one her last public appearances at the Jane Mallet Theatre, “If you see an injustice being committed, you aren't an observer, you’re a participant… you can’t pretend that you aren’t a part of what’s happening in front of you.” 

This statement referred primarily to social injustice against which she fought over her decades-long career.  However, for the sake of comparison, let us adopt a wider interpretation and refer it to Callwood’s own initiative to become a respected public figure.  This initiative included leaving her modest beginnings in small-town Ontario to become a reporter for the Globe and Mail at the age of eighteen, all of this in spite of never having received a formal education.

The pressures and tribulations of any professional woman indeed are noteworthy.  When you model your career as being a feminist and a champion for the less fortunate, name-calling and accusations are also part of the equation.  It didn’t make Callwood’s efforts any less complicated, but her treatment, however unfair it may have been, was never a road-show, and never an excuse for complaints.

Callwood’s career wasn’t just another model of success and charity, but the very figure in modern Canadian history against which all examples can arguably be set.  Called everything from a “racist” to a “nuisance” she handled it with grace and professionalism, from which anyone can learn.  Contemporary political figures, of course, are no exception.  So we say: respect well deserved.  (Exit Stronach.)

Wednesday, June 29, 2011

Kristen Roos: Brand New Ghosts

Article catchup! 

From time to time, I'll post articles here that have previously existed in print. This essay is from the Newfoundland Sound Symposium's  exhibtion catalogue in conjunction with Kristen Roos' work The Micro Radio Project.

Kristen Roos: Brand New Ghosts

The basic human need to feel sound as opposed to be treated to a passive, treble-inflicted listen can be observed most often at the afternoon rush hour. Regardless of the tune, the almost unbearable levels of bass and vibration leave the passengers of these tiny mobile discos lost amidst a common yet indispensable catharsis.

Sound Artist Kristen Roos manages a more ambient and sophisticated approach to bringing this kind of visceral sound to the masses. Through public installations like 2007’s Nuit Blanche project, Roos presented this primal urge to turn our equalizer presets up to ten with added subterranean intrigue.

One warm autumn evening saw thousands rushing down several flights of stairs underground to the Lower Bay “Ghost” Station of the Toronto subway system. At the bottom, they found a dimly lit stretch of the abandoned line with a string of subterranean cars parked on either side. Equipped with internal subwoofers, they became grand alloy whales washed up on the tracks, booming and vibrating from within to an unsettling degree.

Already made familiar by our own stories of hauntings, the abandoned venue had a healthy injection of new life and meaning to its history. Amidst the rattle of the tactile transducers vibrating nuts and bolts to simulate construction noise, there was no discernable melody, just the impression of pattern and repetition with supernatural components. That is to say, the piece not only referenced the evocation of the supernatural by way of Zimbabwean tribal rhythms, an on-going inspiration in Roos’ work, but very much seemed haunted in and of itself. A brand new haunting, as it were.

One doesn’t so much observe Roos’ work as encounter it. These audio experimentations go beyond intriguing into the realm of necessity. Effectively, the specificity of the installation quickly sidesteps “art observed” to deftly become “art universal”.


For my Spacing review of Kristen Roos' Nuit Blanche project in the Lower Bay subway station in Toronto, click here

Tuesday, June 14, 2011

Parkdale Film and Video Showcase

Another screening for the Island Tourist next week complete with a freshly composed audio track.

Screening Under the Stars
June 25, 2011
9pm - onwards
PWYC


Thursday, April 7, 2011

One Minute Film and Video Festival

Thanks to everyone who came out last week to support the One Minute Film and Video Festival! And also for laughing at the appropriate moments...

Friday, September 3, 2010

TUFF 2010 - Sept 10-19th

More Gaming and Tourism work will be shown next week on the TTC screen for TUFF 2010. For more festival info and a complete schedule of films, visit the TUFF site. See you on the subway!

Sunday, July 25, 2010

Greatest Show on Earth! Images Up!

Images from the Petite Menagerie exhibited at Xpace are up on the site now. Plus, some new headers (nips) and logos (tucks) for your viewing pleasure.

Love,

CT